When everyday objects are detached from their original context and function, they fall into a transitional state between the familiar and the unfamiliar.
Their pure objecthood—once concealed by functionality—becomes open to close observation.
Through a low-light, film-like mechanism of subjectless viewing, the work calmly gazes at objects as they move back and forth or remain still within uninhabited spaces, allowing them to resemble a form of spontaneous dialogue.